Influence of Rock & Roll
1877
- Thomas Edison invents the phonograph for playing back stored sounds. The first recording he
makes is "Mary Had a Little Lamb."
1915
- The Chicago Automatic Machine and Tool Company invents the jukebox that plays records (as
opposed to the cylinder recordings type of player that had been around since 1889).
1917
- In 1917, the first jazz record was issued in the U.S. when Nick LaRocca’s Original Dixieland
Jazz Band released "The Dixieland Jazz Band One-Step."
1929
- The 78 rpm record is introduced.
1931
- Adolph Rickenbacker invents the electric guitar
1936
- Billboard puts out its first record sales chart in 1936.
- Bluesman Robert Johnson records his first record
1938
- Pete Johnson and Joe Turner cut their first boogie records in Kansas City
- Boom of boogie woogie in Chicago
- Telefunken helps develop magnetic tape for use with tape recorders.
- John Hammond's 'Spirituals to Swing' concert in NYC
- Saxophonist Louis Jordan leaves Chick Webb's sax section to form his Tympany Five. This might well mark the beginnings of what we know as Rock and Roll
1939
- Leo Mintz founds a record store in Cleveland, the "Record Rendezvous", specializing in
black music
1942
- Los Angeles bluesman T-Bone Walker incorporates jazz chords into the blues guitar with "I
Got A Break Baby"
- Savoy is founded in Newark (NJ) to promote black music
1943
- King Records is founded in Cincinnati by Syd Nathan to record hillbilly. In 1946 adds race music.
1945
- Les Paul invents "echo delay", "multi-tracking" and many other studio techniques
- Johnny Otis assembles a combo for "Harlem Nocturne" that is basically a
shrunk-down version of the big-bands of swing
- Jules Bihari founds Modern Records in Los Angeles, specializing in black music
1946
- Muddy Waters cuts the first records of Chicago's electric blues
- Carl Hogan plays a powerful guitar riff on Louis Jordan's "Ain't That Just Like a Woman"
- Lew Chudd founds Imperial Records in Los Angeles, specializing in black music
- Specialty Records is founded by Art Rupe in Los Angeles to specialize in black popular
music
- Louis Jordan launches "jump blues" (rhythm and blues) with "Choo Choo Ch'Boogie "
1947
- Billboard writer Jerry Wexler invents the term "rhythm and blues" for electric blues
- Roy Brown writes and cuts "Good Rockin' Tonight" in Texas
- Chess Records is founded in Chicago by two Polish-born Jews, Leonard and Phil Chessm to promote blues and later rhythm and blues
- Ahmet Ertegun founds Atlantic Records in New York to promote black music at the border between
jazz, rhythm and blues and pop
1948
- Detroit R&B saxophonist Wild Bill Moore releases "We're Gonna Rock We're
Gonna Roll"
- John Lee Hooker records Boogie "Chillen'" for Modern Records, a a single, which topped the
R&B charts in 1949.
- Columbia introduces the 12-inch 33-1/3 RPM long-playing vinyl record
- Homer Dudley invents the Vocoder (Voice Operated recorder)
- Memphis' radio station WDIA hires Nat Williams, the first black disc jockey
- The magazine Billboard introduces charts for "hillbilly" and "race" records
1949
- Fats Domino cuts "The Fat Man," a new kind of boogie
- Hank Williams' "Lovesick Blues" reaches the top of the country charts
- Scatman Crothers cuts "I Want To Rock And Roll" (1949), with Wild Bill Moore on
saxophone
- RCA Victor introduces the 45 RPM vinyl record
- Todd Storz of the KOWH radio station starts the Top 40 radio program
- The Billboard chart for "race" records becomes the chart for "rhythm and blues" records
- Aristocrat changes its name to Chess
- Dewey Phillips (white) deejays race music show 'Red Hot and Blue' in Memphis (Delta blues, Chicago blues, boogie)
1951
- The white Cleveland disc jockey Alen Freed decides to speculate on the success of Leo Mintz's store and starts a radio program, Moondog Rock'n'Roll Party, that broadcasts
black music to an audience of white teenagers
- The first rock and roll record, Ike Turner's Rocket 88, is released
- The first juke-box that plays 45 RPM records is introduced
- Howling Wolf and Joe Turner popularize the "shouters"
- Gunter Lee Carr cuts the dance novelty "We're Gonna Rock "